A little while ago I was asked to research and write a biographical essay on an English aristocrat, Lady Mary Fitzroy (nee Lennox) for the St. John’s Cemetery Project. St. John’s Cemetery in Parramatta is Australia’s oldest surviving European cemetery. The St. John’s Cemetery Project is a public history project founded by Dr Michaela Cameron […]
One of my writing projects this year has been a biography of Sarah Bell, an Irish immigrant to colonial New South Wales who worked as the Matron of the Parramatta Female Factory between 1836 and 1843. My biography forms part of the St John’s Cemetery Project, an online database for Australia’s oldest surviving European cemetery.
The grave of Sarah Bell in Section I, Row E, No.8, St John’s Cemetery, Parramatta. Photo: Jennifer McLaren, 2019.
Researching the lives of women in the past is challenging. During her tenure at the Factory, Sarah was a visible presence in the archives. As Matron, she was one of only a small number of women in the early colony of New South Wales with an official government role and salary. I managed to track her time at the Factory from government records and newspaper articles without too much trouble. Most of these documents (some…
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St. John’s Cemetery Project is extremely fortunate to have Macquarie University PhD candidate Abbie Hartman as an intern. Abbie is an interdisciplinary historian of Public and Applied history whose work focuses on the public’s consumption of history and how the influence of media can shape and change this.
Her PhD thesis, ‘When This is All Over and the War is Won They Will Remember Us’: Public History, War and the Power of Memorialisation in Games, her Masters thesis completed in 2017, and several other projects she is working on examine how the general public understands and remembers conflict. As Abbie’s research has already uncovered, many young people currently studying history at the tertiary level report that their strong interest in history was initially sparked by the historical subject matter in video games they had played. For anyone who may question the relevance and value of the past and history as a field of inquiry in a rapidly changing world, Abbie’s findings are a reminder that history and ‘new media’ are by no means strange bedfellows. Indeed, her work confirms that the digital arena generally offers historians so many new, creative, fresh options in terms of how we can communicate our work to a wider audience than traditional textual histories have been able to reach.
One of Create NSW’s Arts and Cultural Development Program (ACDP) Priority Areas is in fact engaging young people. On the whole, the St. John’s Cemetery Project aims to do this by (1) presenting historical content in an accessible, non-commercial, multimodal digital arena and (2) extending the reach of that content via social media platforms. Social media in particular allows the material funded by Create NSW in the upcoming collection on “Old Parramattans” buried at St. John’s to engage not only older generations who are already well aware of the significance of the cemetery and the historical treasures it holds, but also has greater potential to “enter the feeds” and hopefully capture the attention of a younger demographic who have not had an opportunity to encounter Parramatta’s rich history and heritage sites. The internship itself is, likewise, a way the project is engaging one particular young person in the project and giving a young academic specifically the opportunity to apply her historical skills and build her academic C.V. with practical experience in a real life public history project.
Abbie’s expertise in public history and how best to inform the general public about their local and national histories via digitisation clearly makes her a real asset to SJO but, as Abbie herself notes, the opportunity is definitely mutually beneficial:
“The St. John’s Cemetery Project internship is the perfect opportunity to explore the theoretical frameworks I have been studying and apply them to a real life situation. In addition to this, I will be able to bring my expertise in digital history to the project to bring the forgotten stories of St. John’s Cemetery back to the forefront of public consciousness. Overall, Parramatta is a place which I hold dear to my heart and spent a lot of time in during my childhood. I would love to give back to the community which has always made me feel so welcome.”
During her internship Abbie will be flexing her research muscles and immersing herself in digital archives as a database content developer. Chiefly, this means she will be assisting the St. John’s Cemetery Project Director, Dr. Michaela Ann Cameron, by creating profiles on the people buried in the cemetery and even fleshing out some of the details of their truly incredible lives. This work will help researchers when they come to the website and use the “SEARCH” database function, most likely looking for one of their ancestors. As such, Abbie is participating in constructing the part of the website that will be used by the public the most: the St. John’s Cemetery Project database. With Abbie’s vital contribution, the project will be able to deliver a fully functioning site-specific database to the public sooner rather than later and that, too, it is hoped will improve community engagement with the cemetery itself. You may also see Abbie doing some guest blogging on here!
Welcome to St. John’s Cemetery Project Abbie!
Read more about Abbie Hartman’s work on her Contributor profile here.
Today we launch The St. John’s Cemetery Project blog.
The blog will be an arena for announcing the publication of new biographies on the database, highlighting interesting research finds we are excited about, introducing our contributors and research assistants, and a place where they, too, will be able to participate as guest bloggers. It will also be a place to reflect on “doing” public history, digital history, convict history, and colonial history generally.
As the database is still in its embryonic phase, new features are constantly being added to increase its potential as a research tool as well as its utility to the local community members visiting the St. John’s Cemetery, Parramatta site itself. Those new site features will therefore also be announced on the blog along with some discussion about how they might be beneficial to you, whether you are a tourist, an urban explorer, an avid family history researcher, a professional genealogist, or an historian.
The Highlight Reel
Given that this is the inaugural blog post, it is the perfect opportunity to bring everyone up to speed on what has been achieved thus far.
The St. John’s Cemetery Project’s first biography, Jane McManus: The Maid Freed From The Gallows, by historian Dr. Michaela Ann Cameron was published on 10 March 2016 and, since then, a further eleven biographies have been published. Nine of the twelve biographies currently available are part of our very first collection, St. John’s First Fleeters; a collection of biographies on the seventeen First Fleeters with memorial plaques buried at St. John’s Cemetery, Parramatta and a feature essay on the cemetery itself by Judith Dunn, the author of The Parramatta Cemeteries book series.
When historian Dr. Ben Vine brought his expertise in the American Revolutionary War to the St. John’s First Fleeters collection earlier this year, the result was two biographies that illuminated the fascinating and surprising connections between the American Revolution and the settlement of New South Wales: Isaac Knight: The Trusty Sergeant and John Palmer: The Purser, The P.O.W.
A number of biographies contributed by historian Dr. Michaela Ann Cameron provided further evidence of the complex, transnational histories buried in St. John’s Cemetery, Parramatta; see, for example, Richard Partridge: The Left-Handed Flogger and David Killpack: The Merry Mutineer, the life stories of two convicts who mutinied on a convict ship bound for America after the Americans had well and truly won the right to their independence from Britain and the right to stop being used as “a sinke to drayen England of her filth and scum.”
See also Michaela’s biography John Martin: The Self-Freed Slave; the story of a man who was likely a black slave in the American colonies and found freedom in Parramatta a lifetime before President Abraham Lincoln’s Emancipation Proclamation. Even the biography of convict James Wright: The Highwayman features a link to a naval hero who died as a result of Anglo-French hostilities associated with the American Revolutionary War. These biographies are thought-provoking, because by illuminating these connections between the British Empire’s old domain (America) and what was then the new British domain (Australia) they also reveal how those transnational connections have been obscured. Ben Vine attributes this to the way Britain, America, and Australia have preferred to remember (and in some cases forget) certain aspects of the past over others.
Speaking of forgotten transnational connections, this digital history project has already begun to forge wonderful links across the seas and ignited an interest in the history we share with the motherland! The need to source images for historian David Morgan’s biography on Henry Dodd, the “Faithful Servant” of Governor Arthur Phillip himself, led us to reach out to Randall Hardy, the webmaster of a website dedicated to Dodd’s own former parish in England: hodnet.org.uk. Not only did the Hodnet – Shropshire website graciously permit us to feature a stunning image by photographer Geoff Potter of the church in which Dodd was baptised, they also featured on their website and social media the story of Dodd; their very own Hodnet man who now lies in Australia’s oldest grave with headstone in situ in the oldest surviving European cemetery in Australia!
And, of course, two major highlights since The St. John’s Cemetery Project was first conceived were the two award ceremonies for the small heritage grants that have enabled the St. John’s First Fleeters collection to be made manifest. The first ceremony, at which the Royal Australian Historical Society (RAHS) awarded $2000 toward the completion of the collection, took place in October 2015. In June 2016, City of Parramatta Council awarded a further $5000 to the St. John’s First Fleeters collection at the ceremony for their community grants.